Thursday, June 30, 2016
52 Films By Women: The Parent Trap (1998)
As part of the #52FilmsByWomen pledge, my first film review for the series is the 1998 remake of The Parent Trap directed by Nancy Meyers.
Story:
The Parent Trap follows the story of Hallie Parker and Annie James (Lindsay Lohan) who are two identical twins that were separated after their parents (Dennis Quaid and Natasha Richardson) got divorced and first meet while at summer camp. While there, they decide to trade places and concoct a plan to get their parents back together.
Ups:
To me, what really makes the film work and holds it together is the performances by the main cast. The females in the cast especially. Lindsay Lohan gives a terrific dual performance as the two identical twins and is a reminder of the talent she possesses yet sadly would slowly become wasted. I also thought Natasha Richardson, may she rest in peace, was a real standout as she managed to blend both maternal grace and frantic comedic prowess and sometimes in the same scene. Dennis Quaid was also terrific as the father, consistently possessing a sly charm that makes you realize why the mother fell in love with him yet wonder why they would be so far apart.
Downs:
Honestly, there isn't much that I can think of that I hate about this movie. Its story is fun, touching and pretty simple while being successfully anchored by its technically three main performances. All of them well-directed by Nancy Meyers who, to me, allows her actors to be as naturalistic as possible. I would say that this is even my overall consensus. Its simple, family friendly story is elevated by the naturalistic performances of its main trio. The film itself isn't anything groundbreaking but as I said, it's a fun family film.
Grade: A
Topic Of The Day: Academy Invites 683 New Members
Yesterday, the Academy of Motion Picture Arts and Sciences has announced its incoming members. They have invited 683 new members. When you look at their list of invitees, you can see that they have really made good on their promise for more diversity.
They've invited a lot more women, people of color, and even people within the LGBTQ community like Xavier Dolan, Dee Rees, and the Wachowskis. Also, they invited more actors and filmmakers from around the world.
So I'm thrilled that AMPAS president Cheryl Boone-Isaacs has really made good on her promise to diversify the Academy’s membership. However, I feel that while the AMPAS has a responsibility to diversify their members, everyone else has a responsibility as well.
Of course, it is on the industry to make more films about women, POC, LGBTQ people, etc.. But audiences also have a responsibility to actually go out and watch what diverse stories are out there. For us to see more diversity, we have to actually go out and see it.
I feel like I've sounded like a broken record when talking about the topic of diversity. But it's because as someone who has a passion for movies, I care a lot about seeing more representation. Plus, we've had all-white acting nominees two years in a row and even though it's 2016, we still have Caucasians playing roles intended for people of color. So it's something that really needs to be discussed.
Anyways, I'm glad that the Academy is starting to make good on their promise for making themselves more diverse. Even if it won't fix the problem in the industry tomorrow, it is still a step in the right direction.
Wednesday, June 29, 2016
Oscar Watch: Bleed For This (2016)
Hello, Bloggers, welcome to another episode of my Oscar Watch where I discuss trailers for upcoming Oscar contenders. For this post, I will discuss the trailer for the upcoming boxing drama Bleed For This based on the true story of Vinny Pazienza, played by Miles Teller, who suffered a near fatal car accident and fought his way back to the ring with the help of his mentor and family. The film gets a limited release on November 4th and then goes wide on November 23rd.
Trailer below: (this was the best link I could find)
http://link.brightcove.com/services/player/bcpid4773906090001?bckey=AQ~~,AAAAAA0Xi_s~,r1xMuE8k5Nyz5IyYc0Hzhl5eZ5cEEvlm&bctid=4998393424001
To me, this one looks ppppreettyyy....formulaic. Now, what happened to the real Vinny Pazienza was really unfortunate and I'm not trying to kick him down or anything. It's just that we've seen this type of redemption story before.
I also don't see this having much commercial potential because since we already just had Creed and Southpaw and pretty soon Hands Of Stone starring Edgar Ramirez and Robert De Niro, I think audiences might feel they are being hit with too many of the same punches. Maybe having Miles Teller, whose star is on the rise, will attract some interest. But we shall see. I think Best Actor might be too competitive for him to get in but at the very least, it's another film in his growing portfolio.
If the film does deliver, I think with this and Sully, Aaron Eckhart could be really strong for Best Supporting Actor. He does have a mentor role which Supporting Actor is often a sucker for. At the very least, he could get a nomination but a win is up in the air. As Sylvester Stallone will probably tell you, playing the mentor can get you in the Final Five but a win isn't guaranteed.
What do you guys think? Do you think it looks like a legitimate Oscar contender and do you think it just looks like a great film? Please feel free to write your thoughts in the comments section. Thanks for reading!
Trailer below: (this was the best link I could find)
http://link.brightcove.com/services/player/bcpid4773906090001?bckey=AQ~~,AAAAAA0Xi_s~,r1xMuE8k5Nyz5IyYc0Hzhl5eZ5cEEvlm&bctid=4998393424001
To me, this one looks ppppreettyyy....formulaic. Now, what happened to the real Vinny Pazienza was really unfortunate and I'm not trying to kick him down or anything. It's just that we've seen this type of redemption story before.
I also don't see this having much commercial potential because since we already just had Creed and Southpaw and pretty soon Hands Of Stone starring Edgar Ramirez and Robert De Niro, I think audiences might feel they are being hit with too many of the same punches. Maybe having Miles Teller, whose star is on the rise, will attract some interest. But we shall see. I think Best Actor might be too competitive for him to get in but at the very least, it's another film in his growing portfolio.
If the film does deliver, I think with this and Sully, Aaron Eckhart could be really strong for Best Supporting Actor. He does have a mentor role which Supporting Actor is often a sucker for. At the very least, he could get a nomination but a win is up in the air. As Sylvester Stallone will probably tell you, playing the mentor can get you in the Final Five but a win isn't guaranteed.
What do you guys think? Do you think it looks like a legitimate Oscar contender and do you think it just looks like a great film? Please feel free to write your thoughts in the comments section. Thanks for reading!
Oscar Watch: Sully (2016)
Hello, Bloggers, welcome to another episode of my Oscar Watch where I discuss trailers for upcoming Oscar contenders. For this post, I will discuss a trailer for a film that to me, is a bit of a question mark in this race. That film is Clint Eastwood's Sully about famed pilot Chesley "Sully" Sullenberger.
Full trailer down below:
http://variety.com/2016/film/news/sully-trailer-tom-hanks-video-pilot-1201806340/
Even though the film is directed by Clint Eastwood, who's quite an Academy darling, I would say it is a question mark because Eastwood is very hit-or-miss these days. For every Gran Torino, he makes a Jersey Boys. Also, even though on paper, it seems to push all the right buttons: "Great man" biopic starring an Academy darling directed by an Academy darling, it doesn't always equal Oscar glory. It all depends on if the film is well-reviewed and it does business at the box office. It could achieve the former but who knows about the latter because Tom Hanks is also hit-or-miss these days. Although if this film does land, I could definitely see it do wonders for Aaron Eckhart. Whether or not Tom Hanks gets in, his supporting men do (Barkhad Abdi in Captain Phillips, Mark Rylance in Bridge of Spies, etc.). Eckhart also has the boxing drama Bleed For This coming out later this year. That'll help his cause.
As a film, though, I don’t know if this one is jumping at me. For me, Clint Eastwood as a director is hit or miss. I really liked Unforgiven and Play Misty For Me thought Mystic River was flawed, I dislike Million Dollar Baby, and I don't think American Sniper holds up particularly well.
I'm sure the older male Academy voters will salivate over this. They're in complete love with "man in crisis" biopics and they love Clint Eastwood. It all depends on critics and audiences, though.
What do you guys think? Do you think that this looks like a legitimate Oscar contender or are you waiting for the reviews like myself? Please be sure to leave your thoughts in the comments section. Thanks for reading!
Full trailer down below:
http://variety.com/2016/film/news/sully-trailer-tom-hanks-video-pilot-1201806340/
Even though the film is directed by Clint Eastwood, who's quite an Academy darling, I would say it is a question mark because Eastwood is very hit-or-miss these days. For every Gran Torino, he makes a Jersey Boys. Also, even though on paper, it seems to push all the right buttons: "Great man" biopic starring an Academy darling directed by an Academy darling, it doesn't always equal Oscar glory. It all depends on if the film is well-reviewed and it does business at the box office. It could achieve the former but who knows about the latter because Tom Hanks is also hit-or-miss these days. Although if this film does land, I could definitely see it do wonders for Aaron Eckhart. Whether or not Tom Hanks gets in, his supporting men do (Barkhad Abdi in Captain Phillips, Mark Rylance in Bridge of Spies, etc.). Eckhart also has the boxing drama Bleed For This coming out later this year. That'll help his cause.
As a film, though, I don’t know if this one is jumping at me. For me, Clint Eastwood as a director is hit or miss. I really liked Unforgiven and Play Misty For Me thought Mystic River was flawed, I dislike Million Dollar Baby, and I don't think American Sniper holds up particularly well.
I'm sure the older male Academy voters will salivate over this. They're in complete love with "man in crisis" biopics and they love Clint Eastwood. It all depends on critics and audiences, though.
What do you guys think? Do you think that this looks like a legitimate Oscar contender or are you waiting for the reviews like myself? Please be sure to leave your thoughts in the comments section. Thanks for reading!
Oscars 2017: 20th Century Women Gets Picked Up By A24
A film called 20th Century Women, starring Annette Bening, Greta Gerwig, and Elle Fanning, had a pretty uncertain fate when it came to its Oscar prospects due to it not having a distributor. But A24 Films has come to its rescue, picking it up for distribution and giving it a fourth-quarter release date.
The story of 20th Century Women is that it is about a single mother living in the 1970's teaching her son, along with two other women, about the state of love and freedom.
The reason I wanted to cover this story is because since I think Viola Davis is the frontrunner on paper to win Best Actress for Fences, she might have Annette Bening to contend with. Like Davis, Bening is seriously overdue, having been nominated four times and being inches closer from a win on her second nomination for American Beauty. Also, it helps that Bening is Hollywood royalty, married to Warren Beatty. Plus, the film's director Mike Mills guided Christopher Plummer to his overdue Oscar for Beginners. Maybe he can work his magic on another overdue veteran.
I also now think Elle Fanning could be someone to watch out for. She's set to have a pretty prolific 2016 with 20th Century Women, The Neon Demon already released, the upcoming How To Talk To Girls At Parties also for A24 Films, and possibly Live By Night from Ben Affleck which has a wide January release date but could get a limited awards-qualifying release date at the end of this year. We shall see.
A24 also has the film Moonlight coming out in October and American Honey coming out in September. So we'll also see if it can run a perfect campaign for those projects. Either way, A24 Films has an exciting slate of films on the horizon.
Tuesday, June 28, 2016
Major Blog Announcement
Hello, Bloggers! I have decided to make a quick announcement about a new series of reviews that will take place on my blog.
Today, I have decided to take part in a pledge known as the #52FilmsByWomen pledge started by an organization called "Women In Film" where I watch about one film per week directed by a woman and post on social media that I am watching each film along with the name of the director for each film to keep track of the films I watch. This pledge is to help create awareness for more films directed by women and as someone who has been vocal about seeing more diversity in the film world, I couldn't help but decide to help out in the cause.
So my new series of reviews will be called "52 Films By Women" and here is hoping that I can reach that goal. If you would like to take part in the pledge, please click on this link right here. I sincerely hope that you guys decide to take the pledge as well. There are some strong female voices out there. So let's try and seek them out. Thanks for reading!
Today, I have decided to take part in a pledge known as the #52FilmsByWomen pledge started by an organization called "Women In Film" where I watch about one film per week directed by a woman and post on social media that I am watching each film along with the name of the director for each film to keep track of the films I watch. This pledge is to help create awareness for more films directed by women and as someone who has been vocal about seeing more diversity in the film world, I couldn't help but decide to help out in the cause.
So my new series of reviews will be called "52 Films By Women" and here is hoping that I can reach that goal. If you would like to take part in the pledge, please click on this link right here. I sincerely hope that you guys decide to take the pledge as well. There are some strong female voices out there. So let's try and seek them out. Thanks for reading!
Indie Review: Neon Demon (2016)
There's a scene where one character says how the main protagonist has that special "thing" or "it" factor. To me, that can also refer to Elle Fanning because she helped me get through this slight mess.
Story:
The Neon Demon follows the story of a young model named Jesse (Elle Fanning) who moves to Los Angeles and as she gets her start is told that she has a special "thing" and is going to be big. However, a few fellow models (Abbey Lee and Bella Heathcote) that haven't broken out yet start to become jealous of Jesse and seek to devour her for that special "thing" she has.
Ups:
I'll start right off with Elle Fanning's performance. She is able to guide the audience on her character's journey thanks to her youthful charisma and constantly expressive yet enigmatic eyes. Without her performance, the movie wouldn't be as watchable. I also want to give a shoutout to a few of her female co-stars. Jena Malone plays a makeup artist that Jesse quickly becomes friends with and she steals every scene she's in, providing a lot of spunk and sympathy to her portrayal. Abbey Lee and Bella Heathcote are also quite terrific as the two models jealous of Jesse's ascent and despite their similarities in appearance, each of them has a distinct personality. Gigi, played by Bella Heathcote, is rather cold and arrogant as she brags about the different surgeries she's had while Sarah, played by Abbey Lee, is quite visible in her anguish and sadness. One of the film's best sequences is a scene when Sarah and Jesse are auditioning and when Sarah gets rejected while Jesse makes the cut, Lee is able to let her expressive face do the talking and you're wondering how else she is going to react in the next scene.
Next, I'll discuss the score by Cliff Martinez. The score is without a doubt the best score I've heard from a film that came out this year thus far. It is a very eclectic blend of a 70's-style horror composition like in last year's It Follows and modern techno-pop. It likely won't happen but Martinez deserves serious awards consideration.
I also really liked the cinematography by Natasha Braier. The way Braier shoots it makes it appear as if we are being transported into a colorful, kaleidoscopic underworld and it provides a nice homage to the classic horror film Suspiria by Dario Argento.
Downs:
Despite the film being directed by Nicolas Winding Refn, who helmed the far superior Drive, oddly enough, the direction is the film's weakest element. There are some directing choices that he made which simply didn't really work or come together. At first, the film serves as a demonstration of the modeling or entertainment industry with a young fresh face ascending right off the bat while older faces that have been around longer watch and grow jealous. I liked that aspect of it. Yet towards the end, it becomes a piece of graphic torture porn and the first two thirds, which serve as more of a drama, make the final act seem pretty out of place in my opinion. If Refn wanted to make a horror film as well as a demonstration of the modeling industry, it could've easily been done by weaving in horror elements throughout the story and not just suddenly making a short horror film in the last act. It just seems like a complete copout.
There are also some sequences that seemed pretty out of place and unneeded. There's a scene where Jesse finds a cougar in her motel room and I have absolutely no idea what place that had in the story. Plus, we get a good amount of scenes with Jesse slowly posing for the camera and they just dragged the film down and made it go longer than it needed to be. The film is almost 2 hours but it could've been a little shorter.
Consensus:
Overall, The Neon Demon is a rumpled yet incredibly stylish film saved by its gorgeous cinematography, killer score, and luminous performance by lead actress Elle Fanning. The direction by Nicolas Winding Refn is quite uneven but the only time the film is unwatchable is during the final act.
Grade: B
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