Tuesday, January 31, 2017

2017 GLAAD Awards Nominations Show Trials And Progress


So the nominations for the GLAAD Media Awards, which celebrate the LGBTQ+ community in the media, were recently announced. There was a lot to celebrate but I just wanted to take this opportunity to acknowledge a category that stook out like a sore thumb. In the Outstanding Film- Wide Release category, there were literally two films. One of them is understandably Moonlight and the other is Star Trek Beyond which only features a snippet of the character of Hikaru Sulu and his husband.

There were five films in the Outstanding Film- Limited Release category: The Handmaiden, Naz and Maalik, Other People, Spa Night, and Those People. Almost all of them are about queer people of color. But the fact there were only two films in the Wide category shows how Hollywood has so much work to do.

When you look on the TV side, you'll see that in the categories for Best Comedy series and Drama series, there are 10 nominees in each category. So television has gotten steps ahead of film. Also, the fact that there were five film nominees in the Limited Release category shows how inclusive the independent film world is. There are films like The Handmaiden, Tangerine, and Weekend that come out each year. But nobody sees them because their studios don't have the marketing budgets for them to reach a wider audience.

Not only that, but when there is an opportunity to introduce a queer character into the mainstream like with Dr. Jillian Holtzmann in the new Ghostbusters and both Chirrut and Baze in Rogue One: A Star Wars Story, whose sexuality has only been hinted at, the filmmakers go "Eh, the studios say otherwise" or "Fans can freely interpret that." But if these characters were to officially come out as gay, then the Outstanding Film-Wide Release category at this year's GLAAD Awards would have more than just two movies and it would show signs of progress.

Also, in a time where the Presidency is imposing threats on human rights, ranging from the Muslim ban to the defunding of Planned Parenthood, we need stories depicting people of different orientations, genders, creeds, races, and countries in a more positive manner now more than ever. We are seeing people from many different backgrounds coming together to march out on the streets in protest against the President. So it is only fitting for movies to reflect that unity amongst the people which is taking place. More movies like Rogue One: A Star Wars Story, Eye In The Sky, and Hidden Figures. Films with people of different genders and ethnicities uniting to achieve a common goal like what those of us trying to combat the violation of human rights are doing.

We may have seen the end of #OscarsSoWhite this year but as I have said before, we have a lot more work to do and given our current political climate, that work is needed now more than ever.


Sunday, January 29, 2017

Hidden Figures" Emerges Victorious at Screen Actors Guild Awards


The Screen Actors Guild Awards tonight were an interesting turn of events. One reason being the various politically charged speeches and another reason being how we saw expected winners mixed with jaw dropping surprises. 

First off, the big prize of the night, Best Ensemble In A Motion Picture, went to Hidden Figures. It was surprising yet not surprising given how the film is peaking at the right moment, reaching the century mark domestically, and how populist the cast is. Because it is nominated for Best Picture, does that mean it can derail current frontrunner La La Land? Eh, probably not. It only has three Oscar nominations (Picture, Adapted Screenplay, Supporting Actress) and typically a Best Picture winner needs across the board support. If there's any film that can derail La La Land, (though highly unlikely at this point) it's Moonlight which won the Golden Globe for Motion Picture-Drama and has the right above the line support needed to become a Best Picture winner (Picture, Directing, Acting, Adapted Screenplay, Editing, and a few techs). But Hidden Figures winning here shows that the movie has its fans.

As for the other winners, Denzel Washington managed to bulldoze past frontrunner Casey Affleck by winning Best Male Actor In A Leading Role which is critical. You'd have to go all the way back to 2003 to find a Best Actor winner that didn't win at SAG when Johnny Depp won SAG for Pirates Of The Caribbean while Sean Penn won the Oscar for Mystic River. So Casey Affleck may likely win the BAFTA because Denzel Washington isn't nominated there. But it is far from over. Also, Mahershala Ali and Viola Davis asserted their frontrunner status by winning Supporting Actor and Actress, respectively, while Emma Stone claimed her status as the frontrunner for Best Actress by winning for La La Land over Natalie Portman who really needed this win to stay alive. But it looks like Emma Stone will get carried along with La La Land in the style of Jean Dujardin when he won for The Artist. 

Full list of winners down below:

Best Ensemble In A Motion Picture: Hidden Figures

Best Male Actor In A Leading Role: Denzel Washington, Fences

Best Female Actor In A Leading Role: Emma Stone, La La Land

Best Male Actor In A Supporting Role: Mahershala Ali, Moonlight

Best Female Actor In A Supporting Role: Viola Davis, Fences

Best Ensemble In A Drama Series: Stranger Things

Best Male Actor In A Drama Series: John Lithgow, The Crown

Best Female Actor In A Drama Series: Claire Foy, The Crown

Best Ensemble In A Comedy Series: Orange Is The New Black

Best Male Actor In A Comedy Series: William H. Macy, Shameless

Best Female Actor In A Comedy Series: Julia Louis-Dreyfus, Veep

Best Male Actor In A TV Movie Or Series: Bryan Cranston, All The Way

Best Female Actor In A TV Movie Or Series: Sarah Paulson, The People v. O.J.: American Crime Story


Thursday, January 26, 2017

2017 Screen Actors Guild Predictions

The Screen Actors Guild Awards will be airing on Sunday and I figured I would share my predictions for the film categories. Wh I think will take it as well as who could and should take it. Take a look:


Outstanding Cast In A Motion Picture:

Captain Fantastic
Fences
Hidden Figures
Manchester By The Sea
Moonlight

Will Win: Moonlight

Could Win: Hidden Figures

Should Win: Moonlight

Given the momentum that Moonlight has been getting with its Golden Globe win for Best Motion Picture-Drama and its 8 Oscar nominations, I think it'll continue here at the Screen Actors Guild Awards as it should. But don't be surprised if Hidden Figures takes this. It's peaking at the right moment, nearing $100m domestically at the box office, and because SAG is made up of actors from film and television, Hidden Figures could easily benefit from that given how its cast is made up of actors who have appeared in both mediums. It also has a very starry and established cast which could work in its favor.

Best Performance By A Male Actor In A Leading Role:

Casey Affleck, Manchester By The Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Will Win: Denzel Washington

Could Win: Casey Affleck

Should Win: Viggo Mortensen

I know Casey Affleck has been steamrolling his way through the awards season, winning almost every critics award imaginable as well as the Golden Globe. But let's keep in mind that the critics awards he won....are critics awards. These are industry voters and while critics can aid an awards contender, they don't vote in the industry. Also, Denzel Washington has never won a SAG Award and his film is up for Best Ensemble. Plus, Brie Larson's visible discomfort of Casey Affleck winning the Golden Globe is a possible indication that those within the industry aware of the harassment allegations may avoid voting for him because of that. I think we're in for a Michael Keaton/Eddie Redmayne-type switcheroo. But if Affleck does end up winning this, the Oscar is signed and sealed.


Best Performance By A Female Actor In A Leading Role:

Amy Adams, Arrival
Emily Blunt, The Girl On The Train
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Will Win: Emma Stone

Could/Should Win: Natalie Portman

I think because La La Land missed Best Ensemble and the industry has really responded to it given its 14 Oscar nominations, this is the place to reward the film. Although Natalie Portman's film is very performance-driven and her performance could be too big to ignore.

Best Performance By A Male Actor In A Supporting Role:

Mahershala Ali, Moonlight
Jeff Bridges, Hell Or High Water
Hugh Grant, Florence Foster Jenkins
Lucas Hedges, Manchester By The Sea
Dev Patel, Lion

Will Win: Mahershala Ali

Could Win: Anyone except Hugh Grant

Should Win: Lucas Hedges

This is where things get super tricky. Mahershala Ali is slightly hanging onto his frontrunner status thanks to the strength of his performance along with the film itself. But Jeff Bridges could score a Robert Duvall in A Civil Action or Michael Caine in The Cider House Rules-type veteran win in this category. Also, Dev Patel could score a win due to slight category fraud or Lucas Hedges given how much they love Manchester By The Sea. Hugh Grant might have to just enjoy the ceremony, though, due to him being the only one who was left out of the Oscars.


Best Performance By A Female Actor In A Supporting Role:

Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester By The Sea

Will Win: Viola Davis

Could Win: Nobody

Should Win: Viola Davis

Signed and sealed.


Tuesday, January 24, 2017

A Year Of #OscarsNotSoWhite


Even though it has been expected, we won't be seeing #OscarsSoWhite this year. But I figured I'd use this opportunity to celebrate the inclusivity of this year's nominees.

Well, first off, we have 4 films about people of color in the mix for Best Picture: Fences, Hidden Figures, Lion, and Moonlight which is also an LGBTQ+ film. So it is refreshing to have even more representation reflected in this category along with a female-driven film like Hidden Figures. Not only that, but it is refreshing to see the nominated films that depict the black experience not be about slavery or servitude. Even though films about slavery and racism are important stories that should be told, they shouldn't be the only types of stories being cited during awards season. While Hidden Figures does depict the racism of the time period the film is set in, it is still very focused on the POV of the three main protagonists and their determination in accomplishing the main task.

Also, the acting categories are the most diverse in 10 years with actors of color making up seven of the nominations: Denzel Washington in Best Actor, Ruth Negga in Best Actress, both Mahershala Ali and Dev Patel in Supporting Actor, and Viola Davis, Naomie Harris, and Octavia Spencer all in Supporting Actress. In fact, we got to see Viola Davis and Octavia Spencer make history. Viola Davis is now the most nominated African-American actress in history with 3 nominations and Octavia Spencer is the first African-American actress ever to score a post-Oscar win nomination.

People behind the camera got to make history as well. Bradford Young who is up for Best Cinematography for Arrival is the first African-American to ever be nominated. Joi McMillan who is nominated for Film Editing for her work on Moonlight is the first African-American woman to ever be nominated in this category. Also, three writers of color are competing for Adapted Screenplay: August Wilson for Fences and both Barry Jenkins and Tarell Alvin McCraney for Moonlight. Meanwhile, not one, not two, not three, but FOUR filmmakers of color are competing for Best Documentary: Ava DuVernay for 13th, Roger Ross Williams for Life, Animated, Raoul Peck for I Am Not Your Negro, and Ezra Edelman for O.J.: Made In America. 

So we have a lot of African-American artists being recognized for their work this year. However, while Rodrigo Prieto is competing in Cinematography for Silence and Lin Manuel-Miranda in Original Song for Moana, a movie about an Islander princess, there is still an underrepresentation of Hispanic artists. Also, Asian talent is underrepresented even though Dev Patel did manage to get nominated. Even though Alison Schroeder was nominated for her writing on Hidden Figures, she is still the only woman nominated. Also, while Ava DuVernay will compete in the Documentary category and Maren Ade will compete in the Foreign Language Film category for Toni Erdmann, no woman is up for Best Director. So we still have ways to go so that this year with a rich amount of inclusivity doesn't feel anomalous.

Anyhow, I just wanted to use this opportunity to show my excitement over how inclusive this year is while also saying how there is still work to be done. Hollywood still has to allow more opportunities for women, POC, LGBTQ+, disabled people, etc. all year around and we as audience members still have to support the diverse content out there.


89th Academy Award Nominations Revealed


So the Oscar nominations are out and like any other year, they were chock full of surprises. Although first off, La La Land emerged victorious with a record 14 nominations, overperforming as expected. Also, Fences kind of overperformed having cracked the Best Picture lineup. I initially predicted 8 Best Picture nominees but I figured if any film would make it an odd 9, it would be Fences. Hacksaw Ridge also overperformed with Mel Gibson making the Best Director lineup over DGA Nominee Garth Davis for Lion as well as the likes of Tom Ford for Nocturnal Animals and Pablo Larrain for Jackie who wasn't a sure thing but I figured he'd get in on the foreign contingent that tends to take place in that category.

Now onto the underperformers. Arrival cracked the Best Picture lineup and Best Director. But apparently there's no lead actress in the film to anchor it because Amy Adams, who is in practically every scene, got left out of a crowded Best Actress field with Isabelle Huppert and Ruth Negga managing to leapfrog over Amy Adams and even Annette Bening whose film, 20th Century Women, only got a lone Screenplay nomination. Also, Nocturnal Animals underperformed with just a Supporting Actor nomination for Michael Shannon despite it having a strong BAFTA showing and a Golden Globe win for Aaron Taylor-Johnson who was ultimately left out.

Some positives, though, include Moonlight performing well as expected, Jackie getting in for Best Original Score despite being a serious underperformer, Hidden Figures managing to make the cut for Best Picture, and Lucas Hedges making Supporting Actor for Manchester By The Sea which was something I wasn't sure would for sure happen but it did.

Check out the full list of nominees:

Best Picture:
Arrival
Fences
Hacksaw Ridge
Hell Or High Water
Hidden Figures
La La Land
Lion
Manchester By The Sea
Moonlight

Best Director:
Denis Villeneuve, Arrival
Mel Gibson, Hacksaw Ridge
Damien Chazelle, La La Land
Kenneth Lonergan, Manchester By The Sea
Barry Jenkins, Moonlight

Lead Actor:
Casey Affleck, Manchester By The Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Lead Actress:
Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Supporting Actor:
Mahershala Ali, Moonlight
Jeff Bridges, Hell Or High Water
Lucas Hedges, Manchester By The Sea
Dev Patel, Lion
Michael Shannon, Nocturnal Animals

Supporting Actress:
Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester By The Sea

Original Screenplay:
Hell Or High Water
La La Land
The Lobster
Manchester By The Sea
20th Century Women

Adapted Screenplay:
Arrival
Fences
Hidden Figures
Lion
Moonlight

Best Film Editing:
Arrival
Hacksaw Ridge
Hell Or High Water
La La Land
Moonlight

Cinematography:
Arrival
La La Land
Lion
Moonlight
Silence

Original Score:
Jackie
La La Land
Lion
Moonlight
Passengers

Best Makeup & Hairstyling:
A Man Called Ove
Star Trek Beyond
Suicide Squad

Best Costume Design:
Allied
Fantastic Beasts And Where To Find Them
Florence Foster Jenkins
Jackie
La La Land

Best Production Design:
Arrival
Fantastic Beasts And Where To Find Them
Hail, Caesar!
La La Land
Passengers

Best Sound Editing:
Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Sully

Best Sound Mixing:
Arrival
Hacksaw Ridge
La La Land
Rogue One: A Star Wars Story
13 Hours: The Secret Soldiers Of Benghazi

Visual Effects:
Deepwater Horizon
Doctor Strange
The Jungle Book
Kubo And The Two Strings
Rogue One: A Star Wars Story

Original Song:
"Audition" from La La Land
"Can't Stop The Feeling" from Trolls
"City Of Stars" from La La Land
"The Empty Chair" from Jim: The James Foley Story
"How Far I'll Go" from Moana

Documentary:
Fire At Sea
Life, Animated
I Am Not Your Negro
O.J.: Made In America
13th

Animated Film:
Kubo And The Two Strings
Moana
My Life As A Zucchini
The Red Turtle
Zootopia

Foreign Language Film:
Land Of Mine
A Man Called Ove
The Salesman
Tanna
Toni Erdmann

Documentary Short:
Extremis
4.1 Miles
Joe's Violin
Watani: My Homeland
The White Helmets

Best Live Action Short:
Ennemis Interiors
La Femme et le a TGV
Silent Nights
Sing
Timecode

Best Animated Short:
Blind Vaysha
Borrowed Time
Pear Cider & Cigarettes
Pearl
Piper

Monday, January 23, 2017

Final Oscar Nomination Predictions



The big morning is finally upon us. Ladies and gentleman, here are my final predictions for Nomination Morning tomorrow at about 8:18 a.m.. You can watch them on Good Morning America or stream them on Oscar.com, Oscars.org, or on any of their social media platforms.

Best Picture:
Arrival
Hacksaw Ridge
Hell Or High Water
Hidden Figures
La La Land
Lion
Manchester By The Sea
Moonlight

Best Director:
Denis Villeneuve, Arrival
Pablo Larrain, Jackie
Damien Chazelle, La La Land
Kenneth Lonergan, Manchester By The Sea
Barry Jenkins, Moonlight

I think Pablo Larrain will surprise given the foreign contingent within the Directors branch (Lenny Abrahamson for Room, Pedro Almodovar for Talk To Her, Michael Haneke for Amour, etc.). Also, he had Neruda and The Club out last year to likely help his cause. 

Best Actor:
Casey Affleck, Manchester By The Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain Fantastic
Denzel Washington, Fences

Best Actress:
Amy Adams, Arrival
Isabelle Huppert, Elle
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

This is the toughest one to predict. I think Adams, Portman, and Stone are safe while Streep is pretty safe. But Huppert won the Golden Globe while Emily Blunt scored a SAG and BAFTA nomination and is on the cusp of her first Oscar nomination. Also, Hidden Figures is peaking at the right moment so Taraji P. Henson could surprise. Who knows.

Best Supporting Actor:
Mahershala Ali, Moonlight
Jeff Bridges, Hell Or High Water
Hugh Grant, Florence Foster Jenkins
Lucas Hedges, Manchester By The Sea
Dev Patel, Lion

I still believe Lucas Hedges gets in but he is still a very vulnerable five. They loved Room last year yet they didn't nominate Jacob Tremblay. So they have a weird stigma against nominating young actors. If he doesn't get in, it'll be Golden Globe winner Aaron Taylor-Johnson.

Best Supporting Actress:
Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester By The Sea

Same five as the Golden Globe and SAG.

Best Original Screenplay:
Matt Ross, Captain Fantastic
Taylor Sheridan, Hell Or High Water
Damien Chazelle, La La Land
Yorgos Lanthimos and Efthymis Filippou, The Lobster
Kenneth Lonergan, Manchester By The Sea

Best Adapted Screenplay:
Eric Heisserer, Arrival
Theodore Melfi and Allison Schroeder, Hidden Figures
Luke Davies, Lion
Barry Jenkins and Tarell Alvin McCraney, Moonlight
Tom Ford, Nocturnal Animals

Best Film Editing:
Arrival
Hacksaw Ridge
La La Land
Manchester By The Sea
Moonlight

Best Cinematography:
Arrival
La La Land
Lion
Moonlight
Silence

Best Costume Design:
Allied
Fantastic Beasts And Where To Find Them
Florence Foster Jenkins
Jackie
La La Land

Best Production Design:
Arrival
Fantastic Beasts And Where To Find Them
The Handmaiden
La La Land
Silence

Best Original Song:
"Audition" from La La Land
"City Of Stars" from La La Land
"Drive It Like You Stole It" from Sing Street
"How Far I'll Go" from Moana
"Runnin'" from Hidden Figures

Best Original Score:
The BFG
Jackie
La La Land
Lion
Moonlight

Best Sound Editing:
Arrival
Deepwater Horizon
Hacksaw Ridge
La La Land
Rogue One: A Star Wars Story

Best Sound Mixing:
Arrival
Hacksaw Ridge
The Jungle Book
La La Land
Rogue One: A Star Wars Story

Best Visual Effects:
Arrival
Doctor Strange
The Jungle Book
Kubo And The Two Strings
Rogue One: A Star Wars Story

Best Makeup & Hairstyling:
Deadpool
Florence Foster Jenkins
A Man Called Ove

Best Animated Feature:
Kubo And The Two Strings
Moana
My Life As A Zucchini
The Red Turtle
Zootopia

Best Documentary Feature:
13th
Cameraperson
Gleason
I Am Not Your Negro
O.J.: Made In America

Best Foreign Language Film:
Land Of Mine (Denmark)
A Man Called Ove (Sweden)
The Salesman (Iran)
Tanna (Australia)
Toni Erdmann (Germany)

Best Animated Short Film:
Blind Vaysha
Inner Workings
Pearl
Piper
Sous Tes Doigts

Best Documentary Short Film:
Extremis
Joe's Violin
The Mute's House
Watani: My Homeland
The White Helmets

Best Live Action Short Film:
Nocturne In Black
The Rifle, The Jackal, The Wolf And The Boy
Sing (Mandenki)
Timecode
The Way Of Tea

Saturday, January 21, 2017

"20th Century Women" Is An Insightful Delight


  Even though 20th Century Women is set in the past, by the time it was over, it got me to reflect on my current present. It got me thinking about how those around me feel the need to fill an invisible void in my own life. The characters also talk about what may await them in the future which is also something I have pondered. So 20th Century Women carries a lot of insightful humanism along with its moments of joy and wit.

  Set in Santa Barbara back in 1979, 20th Century Women follows the story of a single mother named Dorothea played by Annette Bening who lives with her teenage son Jamie (Lucas Jade Zumann) and tries to figure out ways to guide him into the real world. By doing so, she has two generations of women: Abbie (Greta Gerwig), a tenant in their home who works as a photographer, and Julie (Elle Fanning), Jamie's rebellious classmate, give him their own forms of guidance as they all explore love and freedom.

  The film has a fitting title because this film belongs to the women. Annette Bening delivers another winning performance in impressive career as Dorothea, weaving in layers of magnetic warmth and contradictory reclusiveness. She appears all laid back and open yet she'll suddenly pull away when she lights and hoists a cigarette, calmly saying "You don't know what I'm feeling." Elle Fanning is a standout as the promiscuous Julie who always feels like she has everything and everyone figured out at her young age even though she's slightly oblivious to the feelings of those around her.

   As amazing as those two were, though, the MVP was Greta Gerwig who had a revelatory year with Jackie and this. As Abbie, a punk rock photographer who is also a cervical cancer survivor, Gerwig flawlessly acts as a bridge between the two generations of women, showcasing childlike abandon and wise yet hardcore femininity. I also really liked Lucas Jade Zumann who holds his own against his experienced female co-stars. He provides immense likability and I look forward to seeing where his career goes in the future.

   The humanism that these characters possess is thanks in large part to writer/director Mike Mills. Much like with his previous feature, Beginners which won Christopher Plummer his overdue Oscar, Mills has shown a knack for inducing cinephilic flare into a humanistic story. The editing and some of the writing is very snappy. Sometimes it'll be fast paced while other times, the film will cut to shots of a newborn baby, TV footage from the 60's or 70's, or a moving sketch to help create a rather philosophical tone. The snappy editing makes the film appear rather aimless. But the film still has an aim for character driven storytelling and it succeeds thanks to the actors and the way their characters were written.

   So in spite of its seemingly aimless nature, 20th Century Women is still a delight to watch thanks to the terrific performances as well as its 70's nostalgia. It might not be perfect but it is a perfect demonstration of life and its imperfections.

Grade: B